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Bhimmanna
India
Приєднався 26 жов 2020
By the time I'd joined UA-cam, almost 99% of the archival recordings were already uploaded. So my part is to upload rest of the 1% recordings and do justice to the already uploaded recordings by sharing them with wider audience.
My name is Gandhar Rao and I'm a profound listener of Pt. Bhimsen Joshi. I aim to bring to you the very best of Indian Classical Music. I've not recorded any of these recordings. These are the gems preserved by various genuine collectors who wish to open their treasures for us.
The bottom-line :
"Bhimmanna" is a tribute to Panditji, this channel will never be monetized. Any copyright infringement is unintentional. For business related enquiry contact me at raogandhar013@gmail.com
My name is Gandhar Rao and I'm a profound listener of Pt. Bhimsen Joshi. I aim to bring to you the very best of Indian Classical Music. I've not recorded any of these recordings. These are the gems preserved by various genuine collectors who wish to open their treasures for us.
The bottom-line :
"Bhimmanna" is a tribute to Panditji, this channel will never be monetized. Any copyright infringement is unintentional. For business related enquiry contact me at raogandhar013@gmail.com
Avaghachi Sansar Sukhacha Karin. Pt. Bhimsen Joshi. Private Concert.
Uploading this on the prestine occasion of World Music Day!
The course of the concert was as follows:
Raag Yaman (with Piya Ki Nazariya as drut), Roop Pahata Lochani, Avghachi Sansaar Sukhacha Karin (which is in "Raag Dhani" by the way), Kanhoba Tujhi Ghongadi Changli Rey and finally Jo Bhaje Hari Ko.
Once again the recording is from the archives of Sh. Jayant Kulkarni and Photo is by Nilesh Kale.
अवघाचि संसार सुखाचा करीन ।
आनंदें भदें रीन तिन्ही लोक ॥१॥
जाईन गेमाये तया पंढरपुरा ।
भेटेन माहेराहे आपुलिया ॥२॥
सर्वसुकृताचें फळ मी लाहीन ।
क्षेम मी देईन दे पांडुरंगी ॥३॥
बाप रखुमादेविदे वरु विठ्ठलेचेभेटी ।
आपुलेसंवसाटी करुनी राहे ॥४॥
This is one of the most celebrated Abhang of 20th Century almost sung by all Stalwarts of the past era. This was Bal Gandharva's favourite abhang; hence there is a recording of Pt. Bhimsen Joshi, Sudheer Phadke and Vasantrao Deshpande ( along with Pu. La. Deshpande on Harmonium) rendering this at the inauguration ceremony of Bal Gandharva Rang Mandir.
The course of the concert was as follows:
Raag Yaman (with Piya Ki Nazariya as drut), Roop Pahata Lochani, Avghachi Sansaar Sukhacha Karin (which is in "Raag Dhani" by the way), Kanhoba Tujhi Ghongadi Changli Rey and finally Jo Bhaje Hari Ko.
Once again the recording is from the archives of Sh. Jayant Kulkarni and Photo is by Nilesh Kale.
अवघाचि संसार सुखाचा करीन ।
आनंदें भदें रीन तिन्ही लोक ॥१॥
जाईन गेमाये तया पंढरपुरा ।
भेटेन माहेराहे आपुलिया ॥२॥
सर्वसुकृताचें फळ मी लाहीन ।
क्षेम मी देईन दे पांडुरंगी ॥३॥
बाप रखुमादेविदे वरु विठ्ठलेचेभेटी ।
आपुलेसंवसाटी करुनी राहे ॥४॥
This is one of the most celebrated Abhang of 20th Century almost sung by all Stalwarts of the past era. This was Bal Gandharva's favourite abhang; hence there is a recording of Pt. Bhimsen Joshi, Sudheer Phadke and Vasantrao Deshpande ( along with Pu. La. Deshpande on Harmonium) rendering this at the inauguration ceremony of Bal Gandharva Rang Mandir.
Переглядів: 651
Відео
Puriya Kalyan, Megh Malhar, Shivranjani, Hameer & Bhairavi. Smt. Shalan Sarpotdar. 1992
Переглядів 607Місяць тому
A private concert at Sh. Jayant Kulkarni's residence (Paud Road, Pune) held on 9-6-1992. Tabla - Sh. Shridhar Deshpande. Harmonium - Sanjay Gogate. About the artist : Meet the melody maestro, Smt. Shalan Upendra Sarpotdar, a musical luminary whose journey through the harmonious realms began in the cradle of Ratnagiri, Maharashtra, on a melodious March day in 1948. Born into a family that resona...
Private Concert. Raga Gaud Sarang. Pt. Bhimsen Joshi.
Переглядів 1,2 тис.Місяць тому
Very few Gaud Sarang of Pt. Bhimsen Joshi were ever recorded. The drut Bandish "Veya Nazar Nahi, Aawandave" is nectar shower, pure bliss I would rather say. Provided by Sh. Jayant Kulkarni. Photo by Sh. Nilesh Kale. About the concert - Pt. Bhimsen Joshi started with Raag Marwa "Ab Milane Ko Aai" followed by drut "Bangari Mori Murak Gayi". Then he sang this Gaud Sarang. Vilambit is a Punjabi Ban...
Raga Shankara, Zila Kafi, Basant Bahar & Jogia. Pt. Bhimsen Joshi. 1984.
Переглядів 843Місяць тому
This is not your everyday concert. The Zila Kafi Thumri - Gopala Mori Karuna Kyu Nahi Aave is not recorded many times. This is the 3rd version on UA-cam, and maybe the last. Every year Pt. Firoz Dastur had a special farmaish by rasiks to end his Sawai Gandharva performance with Gopala Bhajan but Pt. Bhimsen Joshi rarely sang this instrumental raga. Moreover the recording length of this thumri i...
Rare Gem. Raag Bilaskhani Todi (70 mins), Kukubh Bilawal and Alhaiya Bilawal. Pt. Kumar Gandharva.
Переглядів 6652 місяці тому
This is the most elaborate rendition of Pt. Kumar Gandharva singing Raag Bilaskhani Todi, a unique and distinguished morning raga. Kumar first explores the raga in vilambit section, then he continues the same chotta khayal into drut laya. Finally after 1 hour he is satisfied with the atmosphere to start his Tarana. A fascinating tarana in same raag. After heavy Bilaskhani, Kumar moves to light ...
Complete Sant-Vani Live Program Recording. Pt. Bhimsen Joshi.
Переглядів 7 тис.3 місяці тому
Extremely grateful to Shree Jayant Kulkarni for sharing this recording with us all. There are many more recordings awaiting from his side which we will explore soon. This irrelevant photo is from the Archives of Farhan Amin. I've tried my best to label the Abhangs chapter wise along with Lyrics and Ragas I know. Any corrections are welcome. Here you go : 00:00:35 Jay Jay Ram Krishna Hari (Raag ...
Raat Ki Puriya. Pt. Bhimsen Joshi.
Переглядів 1,1 тис.5 місяців тому
Yesterday while going through UA-cam I noticed that there are very few Puriya Compositions ending with this drut bandish "Ghadiya Ginat Jaye". So I decided to upload the same on today's very special occasion of Pt. Bhimsen Joshi's Jayanti or 104th Birth Anniversary. This recording is from a concert at Bandra held on 7-9-1984. We've Pt. Shashikant(Nana) Mulye on Tabla and Pt. Bal Mate on Harmoni...
Pure Gold. Raag Jogkauns. Pt. Bhimsen Joshi.
Переглядів 2,8 тис.5 місяців тому
Legendary Pt. Bhimsen Joshi presents Jagannath Bua Purohit "Gunidas" 's Jogkauns which was originally created as Raag Kaunsi. Later BR Deodhar and Bua himself found shades of Raag Jog in it. It was only later that Pt. Kumar Gandharva re-created the original Kaunsi in the 1950s. Pt. Bhimsen Joshi's Jogkauns is different. Very different. Raag Jog is very prominent in this recording. Unusually lon...
Raag Shree. Pt. Jitendra Abhisheki. 1980.
Переглядів 8656 місяців тому
An excellent presentation of Raag Shree with an outstanding Tabla sangat. This is an unique concert. Bua and the audience are in an equally energetic mood. He started this concert with an elaborative Bada Khayal in Raag Miya Ki Todi followed by Drut Bandish in Raag Gujri Todi and finally concluded with Tarana in Todi. The concert continued with a rendition in Raag Bhimpalasi. The concert ended ...
Prem Seva Sharan. Natyageet in Raag Bhimpalasi. Pt. Bhimsen Joshi.
Переглядів 9 тис.7 місяців тому
The full concert is uploaded by @kanebuvapratishthan9837 Recorded on 4-8-2001 at Sangli under the name "Rang Vaani" Have you ever seen Pandit Bhimsen Joshi sing Master Dinanath Mangeshkar's Natyageet from Sangeet Maanapmaan? The natyageet is originally in Raag Multani with some Madhuvanti too. (To feel the madhuvanti part, you should checkout Pt. Vasantrao Deshpande's version) Panditji uses Raa...
Rare Ektaal - "Daiyya Bat Dubar" in Raag Todi. Pt. Bhimsen Joshi.
Переглядів 1,7 тис.7 місяців тому
All the recordings of Todi of Pt. Bhimsen Joshi is very unique and distinguished. Today Deodhar School of Music uploaded a concert which is really exceptional. Also check this Firoz Dastur's recording from another concert : ua-cam.com/video/7GMlfNfpd2w/v-deo.htmlsi=N1FIwKP5Yy2wYDxm (I'm not promoting any channel)
Video Recording 1993. Raag Yaman(Piya Ki Nazariya), Hori Kafi,Bhajan(Bhajman Ram Charan Sukhdai). BJ
Переглядів 5 тис.9 місяців тому
This video is from International Music Festival 1993. Pandit Bhimsen Joshi's performance was preceded by a Sarangi recital by Pt. Ram Narayan. "Piya Ki Najariya, Jadu Bhari" is something different about this concert. Otherwise it would have been "Shyam Bajaye Aaj Muraliya".
Raag Hindol Lalat. Pt. Bhimsen Joshi.
Переглядів 3,1 тис.10 місяців тому
About this Raag: Lalat Pancham is a raga that is often associated with the late afternoon hours, typically around 3 to 6 PM. It is considered a light classical raga and is characterized by its sweet, serene, and devotional mood. This raga primarily belongs to the Kalyan thaat (parent scale) in the Hindustani classical music tradition. The scale of Lalat Pancham consists of five notes, making it...
Raag Lankeshree. Pt. Kumar Gandharva.
Переглядів 1,1 тис.11 місяців тому
Maang Bharo is a drut bandish in Raag Lankeshri which Pt. Kumar Gandharva included in his Geet Hemant. The lyrics is as follows: मांग भरोरी सोहे बनी के कान झुमकी आवो सहेल्यारी || हार गुंथारो, बेला चमेली फूले गुलाबे आवो सहेल्यारी || This seems to be an early recording of him which was not uploaded yet on UA-cam. I don't have the Vilambit part. Sadashiv Nadkarni and Diwan Singh have uploaded a di...
Vitthalachya Paayi Thararali Veet. Pt. Bhimsen Joshi. Also speaks about his love for dogs.
Переглядів 2,8 тис.Рік тому
Have you ever heard Pt. Bhimsen Joshi speaking so comfortably and energetically. I don't think so. In his other interviews you will have to play the recording with 2x speed. This is one of those interviews in which he speaks more than talking. He has also interrupted interviewer GN Joshi (HMV Director) many times in this interview. This shows that Panditji was enjoying the flow of interview. Th...
Rare Thumri - Piya Tori Tirchi Nazariya Laagi and Bhajan in Raag Nand. Pt. Bhimsen Joshi.
Переглядів 4 тис.Рік тому
Rare Thumri - Piya Tori Tirchi Nazariya Laagi and Bhajan in Raag Nand. Pt. Bhimsen Joshi.
Raag Lagan Gandhar, Kafi and Chhaya Nat. Pt. Kumar Gandharva.
Переглядів 3,2 тис.Рік тому
Raag Lagan Gandhar, Kafi and Chhaya Nat. Pt. Kumar Gandharva.
Teentaal - Changey Nainava and Drut Taan Kaptaan. Pt. Bhimsen Joshi Raag Todi.
Переглядів 1,6 тис.Рік тому
Teentaal - Changey Nainava and Drut Taan Kaptaan. Pt. Bhimsen Joshi Raag Todi.
Bhimsen's Immortal Bhairavi "Bin Dekhe Parat Naahi Chain"
Переглядів 2,5 тис.Рік тому
Bhimsen's Immortal Bhairavi "Bin Dekhe Parat Naahi Chain"
Unheard Tarana in Raag Malkauns. Pt. Bhimsen Joshi.
Переглядів 5 тис.Рік тому
Unheard Tarana in Raag Malkauns. Pt. Bhimsen Joshi.
Pt. Bhimsen Joshi and Pt. Ishwarlal Mishra on Tabla. Raag Darbari.
Переглядів 2,1 тис.Рік тому
Pt. Bhimsen Joshi and Pt. Ishwarlal Mishra on Tabla. Raag Darbari.
Extremely Rare Rendition. Pt. Jitendra Abhisheki. Raag Purva.
Переглядів 4,1 тис.Рік тому
Extremely Rare Rendition. Pt. Jitendra Abhisheki. Raag Purva.
Pt. Bhimsen Joshi. Raag Sindhu Bhairavi.
Переглядів 6 тис.Рік тому
Pt. Bhimsen Joshi. Raag Sindhu Bhairavi.
Raag Basant Bahar. Pt. Bhimsen Joshi.
Переглядів 1,5 тис.Рік тому
Raag Basant Bahar. Pt. Bhimsen Joshi.
Namo Namo Durge Sukh Karni. Pt. Bhimsen Joshi. Navratri Special.
Переглядів 26 тис.Рік тому
Namo Namo Durge Sukh Karni. Pt. Bhimsen Joshi. Navratri Special.
Rare Bandish: Nayi Rutu Nayi Phooli. Teentaal in Raag Bahar Kafi Thaat. Pt. Bhimsen Joshi.
Переглядів 8 тис.Рік тому
Rare Bandish: Nayi Rutu Nayi Phooli. Teentaal in Raag Bahar Kafi Thaat. Pt. Bhimsen Joshi.
Bhavani Jagat Janani. Raag Gujri Todi. Pt. Bhimsen Joshi. 1986
Переглядів 4,7 тис.Рік тому
Bhavani Jagat Janani. Raag Gujri Todi. Pt. Bhimsen Joshi. 1986
A compilation of 4 renditions. Pt. Kumar Gandharva. Recreating Iconic Sarnath Concert.
Переглядів 5 тис.Рік тому
A compilation of 4 renditions. Pt. Kumar Gandharva. Recreating Iconic Sarnath Concert.
Rare Gem. Pt. Bhimsen Joshi sings Ustad Amir Khansaheb's - Jogiya Mere Ghar Aaye
Переглядів 22 тис.Рік тому
Rare Gem. Pt. Bhimsen Joshi sings Ustad Amir Khansaheb's - Jogiya Mere Ghar Aaye
अप्रतिम.. शरण आहे. .. 🙏🙏
Dhanyawad 🙏
🙏🙏🙏
🙏🙏🙏
परमात्मा आवाज 👆🏻
🙏🙏🙏
God gifted Singer
🙏🙏🙏
Brilliant taans. A phenomenon.
Thank you for appreciating 🙏
🕉️नमः शिवाय 🌹🙏🌹गुरुजी भीमसेनजी के रांगोनको प्रणाम 🌹🙏🌹
Dhanyawad Ji 🙏
No comparison to Gohar bai's version
I am 89 year old and do remember having heard this abhang sung by Balgandharva the maestro. I sat close by him in a private concert. I was only 16 then.
You are very lucky indeed 🙏
अलौकिक
Dhanyawad 🙏
No words to praise this magic of voice and art of this one and only the great Bhimsenji.
Thank you for appreciating 🙏
Accompanists pls
The cassette is unfortunately unlabelled. So can't say. Don't seem to be regular accompanists though ...
अति मधुर
Dhanyawad 🙏
🎉🎉🎉🎉🎉
🙏🙏🙏
❤🙏🌹
🙏🙏🙏
Great upload but this is from 80s or 90s.
Thank you for correcting Gunanidhi Ji 🙏
Your write-up is so well done, Gandhar ❤
Dhanyawad Bhai🙏
Pleasure is all of ours entirely
😊🙏..
🙏🙏🙏
तृप्तता। कानांची। मनाची। 🙏🙏🙏 राम कृष्ण हरी। अशा अनेक कलाकृती आहेत त्यांना शब्दात व्यक्त करता येत नाही। त्यापैकी पंडितजींचं। गाणं। अभंग। संगीत। शब्दातीत🙏🙏🙏
धन्यवाद श्रावणी जी 🙏
@@Bhimmanna 🙏
My favorite Abhang too! Both Balgandharva and Bhimsenji do full justice to it. I have heard it many times before from Bhimsenji but each new upload is a new revelation!
Indeed. You remember the bihag I mailed you a couple of months ago? It also has this abhang at end but unfortunately it is incomplete.
🙏🙏🙏
🙏🙏🙏
This is called genuine genius sweet melody
Swaradhiraj Swarbhaskar!
What a beautiful picture
Dhanyawad 🙏 There are almost 120 photos of this kind!
निःशब्द करणारे स्वर, संगीत आणि गीत ❤️❤️
Dhanyawad 🙏
A rare collection 😊
I'm glad you liked the upload 🙏
Excellent performance by madam I listened to for the first time.
Indeed. It's her 1st video on UA-cam!
Thank you Jayant Mama and Gandhar & Makarand Sarpotdar for efforts put in by you to get this wonderful artist on you tube channel 🙏🙏
Thank you so much for your praise comment 🙏
It's a tribute to my Guruma Shalan Sarpotdar, It was possible because of the efforts by Shri Gandhar Rao and Shri Jayant Kulkarni, Pune. Hat's Off to your love and dedication for our music . This link of program was presented to Smt Shalan Sarpotdar today in person at Vadodara.
Thank you so much for your praise. We'll surely upload some more recordings of her!
Jayant mama and Gandhar ,a big thank you to both of your joint efforts...It's big pleasure to see my mother on you tube
Thank you sir 🙏 We'll surely upload some more!
Soooo happy..to listen my Guru's recording...thank you🙏
We'll surely upload some more recordings!
Shalan kaku is a Gem in my family, so proud of her... !! Totally Blessed
Indeed. I'm lucky to have come across her recording.
Pranams to the legend 🙏🙏
🙏🙏🙏
सर आपके पास इतनी बंदिश कैसे आई सर दूसरा चेनल भीम मना 2 के नाम से ही शुरू करो
अरे रोहित जी ये तो कूच भी नहीं. दुसरा चॅनल हैं. मेरे नाम का हैं. Gandhar Rao search करो.
"I believe you've discovered a gold mine. As you frequently share such invaluable gems. I envy your collection."❤❤❤
I'm only an uploader. People who recorded, preserved and shared these gems are the true channel owners :D
GREAT
I'm glad you liked the upload 🙏
अप्रतिम,स्वर्गिय आनंद देणारा आवाज
धन्यवाद 🙏🙏🙏
Engrossed , from Kolkata. Only came to know about him a few days ago. Since then, with him most of the time. Guru samaan , guru hi to hai ...
I'm glad you liked the upload 🙏
🙏🌹👍
🙏🙏🙏
Dear Gandhar...Lot of thanks 🙏 🙏 🙏
🙏🙏🙏
0:00:40 - Puriya Kalyan Vilambit (Aaj So Ban) 0:20:40 - Puriya Kalyan Drut (Howan Lagi Sanj) 0:27:40 - Megh Malhar Madhyalaya Jhaptaal(Garajat Ghata Ghan Ghan) 0:43:40 - Megh Malhar Drut (Lagi Maan Karo Ab) 0:49:05 - Raag SHIVRANJANI (Bole Atariya, Sakhi Kagawa) 1:00:40 - Raag Hameer (Kaise Ghar Jau Langarwa) 1:09:07 - Raag Bhairavi ( Kaisi rey )
Best taan...i have ever listened❤
I'm glad you liked the upload 🙏
👏👏👏
🙏🙏🙏
अतिशय सुरेख गाणे, गुरू न च्या बद्धल आदर व्यक्त होतोय, बाबूजी तुम्हाला कोटी कोटी प्रणाम 🌹🙏🙏🙏🌹
🙏🙏🙏
Will you please again come back Swarbhaskar. We r eagerly waiting for you
😭😭😭
स्वर्गिय अनुभती मिळाली ❤❤
Dhanyawad 🙏
♥️♥️♥️♥️♥️
🙏🙏🙏
🙏🙏🙏
Bhimsen Ji weaves magic!!! ❤❤ Vasantrao Achrekar on Tabla and स्वतः Kumarji in the audience! 🥹
Devansh Phadke is back :D
@@Bhimmanna 🤣sir
शत शत कोटी नमन 🙏🏻
Dhanyawad 🙏
I think Pt. Kumar Gandharv ji in the audiance. His occasional "wah " sounds so unique.
Kya baat hai. Indeed it adds a lot of value to this recording.
ua-cam.com/play/PLF-RMsqB6o6fL15DDfxxMNULijZ47wL-6.html&si=JUZnLdytky01roN_
Where can i find meaning of the bandhish sir
Wait I'll send it to you when I'm free.
Vilambit सैय्यों मै तो रतड़ी/दतड़ी वेघडी वे जमायां । हातन मेंदी पावन मेंदी चूडा भऱ्यो कलायां ॥ Drut वेँ यार नजर नाही आवंदा तेंडे देखन मन चावंदा मेरा ढूँढत फिरत जग विच सानू सदारंग आवंदा नेड़ा - Bandish lyrics from Magriel and Perron to be checked and vetted. From his 1974 disc, Bhimsen Joshi - Enchanting Melodies, with Vasant Acharekar on tabla. What has also always intrigued me about the bandish are the lyrics - and to confound the confusion, they seem glossed differently at different places. Let's start with Swar Ganga that gives it simply as: सैंयो मै तो रतडी वे घडी वे जमायां । हातन मेंदी पावन मेंदी चूडा भऱ्यो कलायां ॥ The last two lines are clear enough: mehndii or henna on the hands and feet and bangles on the wrists. But I wasn't quite clear about the first two lines: What might रतडी mean? Could it just be रतड़ी? So I turned to Sangeet ke Jawaharaat, which not only provides the bandish lyrics rather differently but also offers an odd gloss: सैयों मैं तो रचनी धरीये वेज़मानी हाथन मेहँदी भीन वस्त्र चूरे भरी वे कलाईयाँ It goes beyond providing the lyrics and says (I am choosing not to translate to ensure nothing is lost or gained there): // नायिका से मेहंदी कहती है कि मैं तो रचने वाली हूँ. हाथ पर मुझे लगते ही रंग लग जाता है. तेरे हाथों पर मेहंदी रची है. तुमने अच्छे अच्छे वस्त्र पहने हैं और तुम्हारी कलाईयाँ चूड़ियों से भरी हैं. उस से तुम्हारी सुंदरता खिल गयी है. // Improbable as the above seems, it offers a further long gloss. // नायिका खूब बन ठन कर तैयार हुई है. जब वह अपने हाथों को देखती है तो बस देखती ही रह जाती है. फिर उसे ख़याल आता है की मेहंदी उस से बातें कर रही है और उसकी भी तारीफ़ कर रही है. नायिका के ख्याल में मेहंदी उस से कहती है की मैं बहुत रचती हूँ. जैसे ही तू अपने हाथों में मुझे लगाती है, मेरा रंग खिल उठता है. देख, तेरे हाथों में मेंहदी लगी है. तूने अच्छे वस्त्र पहन रखे हैं. तेरी कलाईयाँ चूड़ियों से भरी है. इन सब सबसे तेरी सुंदरता और खिल गयी है. इस भौतिक अर्थ केअलावा इस रचना का एक आध्यात्मिक अर्थ भी है की सच्चे प्रेम को पाने के लिए श्रृंगार या किसी अन्य साधन की जरूरत नहीं होती। उसके लिए आत्मा का निर्मल और सुन्दर होना ही काफी है. // Let me be clear: I can easily imagine the word रचनी in the bandish, and in the 1937 Mansur recording especially it could well be the word one hears. But I do have a problem with the henna's point of view. I just for the life of me can't understand why this totally imagined conversation has been introduced in this explanation when the bandish, regardless of what the words are, simply does not offer any such reading. But I guess this must be driven by the modern reader response theory and the death of the author. *** But this is not all. Magriel and Perron offer an added spin. If Sangeet ke Jawaharaat changed ratDii/ratRii रतडी/रतड़ी to रचनी, and introduced the utterly meaningless point of view of the henna, Magriel and Perron take it somewhere else. The lyrics, they tell us, are: सैयों मैनू दतडी दडी वे जमाइया हाथन मेंदी पावूं मेंदी चूड़ी भयो वे कलाइयां They also helpfully offer us an English translation: [One friend says to another]: My lips and teeth are red. Henna on my hands, henna on my feet, bangles on my wrist. *** Phew. Who'd've thunk? The word, to my mind, is Punjabi: रतड़ी and because of the transliteration and script issues, and because of Marathi's own orthography, it becomes रतडी and then रचनी and then दतडी above. In Punjabi, रतड़ी could just mean "coloured, red, steeped, imbued, permeated" which, to my mind is clear enough, given the context. Still, it would be good to trace it in different performances and also in different texts, where available. As a first port of call, I ended up on a Bhimsen Joshi performance where the Bharat Ratna, not otherwise known to be a believer in fealty to the bandish texts, actually recites the vilambit bandish first, and, despite some differences, here it becomes mainuuN मैनूँ, but the contentious word is very clear: रतड़ी (though in this rendition he very clearly pronounces it as दतड़ी with a d sound.
@@Bhimmanna thank you very much sir
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